One of Dickinson’s most quoted poems, ‘Because I could
not stop for Death’ is based on the speaker’s journey from the earth to the grave;
and the Death has appeared in the poem as a trusted friend and fellow sojourner
of the speaker from the earth to the grave. Here follows the summary and
analysis of the poem:
Because I could not stop for Death–
He kindly stopped for me–
The Carriage held but just Ourselves–
And Immortality.
He kindly stopped for me–
The Carriage held but just Ourselves–
And Immortality.
The speaker visualizes Death as a person whom she
knew and trusted or believed that she could trust. He might be a gentleman, who
at one time or another has acted as her escort. She cannot stop Death when she
wants to. So, she has to abide by the call of Death. As soon as the Death arrives,
she gets into the carriage, which holds both the speaker and Death and
Immortality.
Dickinson personifies “Death” and uses alliteration of the “c”
She
describes this as a pleasant event that takes place in a carriage Dickinson personifies “Death” and uses alliteration of the “c”
She uses end rhyme in lines 2 and 4 and internal rhyme in line
Immortality: (or eternal life) is the concept of living in physical or spiritual form for an infinite length of time.
And I had put away
My labor and my leisure
too,
For His Civility–
The speaker and Death
drive in a leisurely manner, and she feels completely at ease. The speaker walks
away from her busy schedule, such as work and even her leisure time for death.
Since she understands it to be a last ride, she of course expects it to be unhurried.
Civility- politeness, courtes
Uses alliteration of the letters “h” and “l”
We
passed the School, where Children strove
At
Recess--in the Ring–
We
passed the Fields of Gazing Grain–
We
passed the Setting Sun–
The speaker notes the
daily routine of the life she is leaving behind. Dickinson is talking about the
different stages of her life or seeing her own life flash before her eyes. The
children at recess symbolize the beginning of her life. The fields of grazing
grain symbolize adolescence/adulthood and the setting sun symbolizes the
writer’s final years. The tone gets changed. Now, the sense of motion is
quickened or perhaps, more exactly, the sense of time comes to an end as they
pass the cycles of the day and the seasons of the year.
The repetition of “we
passed” is called anaphora
She also uses
alliteration of the letters “s” “r” and “g”
Or rather--He passed
us—
The Dews drew quivering
and chill–
For only Gossamer, my Gown–
My Tippet--only Tulle–
The speaker corrects
herself and says that the Sun has passed them, as it of course does all who are
in the grave. She conveys her feeling of being outside time and change. She is
aware of dampness and cold, and becomes suddenly conscious of the sheerness and
the dress and scarf which as she now discovers that she has not taken any winter
clothes, as she had to start the journey unprepared.
Describing being inside the ground; being cold
Also talks about what she is wearing gossamer- material for a wedding dress, tippet (scarf) & Tulle (netting)
Slant rhyme “chill/ tulle”
We paused before a House that seemed
A Swelling of the Ground–
The Roof was scarcely visible–
The Cornice--in the Ground–
A Swelling of the Ground–
The Roof was scarcely visible–
The Cornice--in the Ground–
Finally, the speaker
and Death have stopped their carriage and they have reached their destination-
a house. It is the slightly rounded surface ‘of the ground’, with a scarcely
visible roof and a cornice ‘ in the ground.’
The house/swelling of the ground symbolizes her gravesite
Cornice: a decorative framework to conceal curtain fixtures at the top of a window casing
Alliteration of the letter “s”
The house/swelling of the ground symbolizes her gravesite
Cornice: a decorative framework to conceal curtain fixtures at the top of a window casing
Alliteration of the letter “s”
Since
then--'tis Centuries—but each
Feels
shorter than the Day
I
first surmised the Horses' Heads
Were
toward Eternity—
Cessation
of all activity and creativeness is absolute. At the end, in a final
instantaneous flash of memory, she recalls the last objects before her eyes
during the journey: the heads of the horses that carried her, as she had
surmised they were going from the beginning, toward ‘eternity.’
Time has passed since her carriage ride with death
Paradox- century (100 yrs) feels shorter than a day
Ends with her realizing that towards the end of her ride with death she figured out that this wasn’t temporary
“Horses Heads were toward eternity” meaning the horses pulling the carriage were taking her somewhere she couldn’t return from
She realizes she is dead; that this “ride” is for all eternity
Time has passed since her carriage ride with death
Paradox- century (100 yrs) feels shorter than a day
Ends with her realizing that towards the end of her ride with death she figured out that this wasn’t temporary
“Horses Heads were toward eternity” meaning the horses pulling the carriage were taking her somewhere she couldn’t return from
She realizes she is dead; that this “ride” is for all eternity
This is typical Dickinson poem,
in which each stanza is a quatrain- four lines. In each stanza the first line
has 8 syllables, the second has 6 syllables, the third has 8 syllables, and the
fourth has 6 syllables. The overall theme of the poem seems to be that death is
not to be feared because it is part of the endless cycle of nature. Her tone is
optimistic because she sees death as a friend.
This poem is a good example of her style, with punctuation
dominated by dashes and words intermittently given initial capital
letters. The poem is slightly disconcerting, presenting the arrival of
death as a friend, or even a bridegroom, to escort the narrator in a leisurely
manner towards her tomb.
The personified Death’s actions are ‘kindly’,
he shows ‘Civility’ and the journey has ‘no haste’. The central
stanza poignantly contrasts children at play with death and the children
are the first of three references to the passing of time towards the end of
life. They are followed by the ripening grain, ready for harvest, and
the setting sun, a frequent metaphor for the end of life.
Describing the tomb as a ‘House’
suggests comfort and the final stanza confirms this, compressing the ‘Centuries’
since the journey into less ‘than the Day’.
There are a number of repetitions, internal
rhymes and examples of alliteration in the poem. Consider what these
sound features add to a reading and understanding of the poem.
A number of Dickinson’s poems are
based on the theme of death. This particular poem is the finest in this
category. On the surface this poem seems like just another version of a
procession to the grave, but here it is also a metaphor that can be probed for
deeper levels of meaning, spiritual journeys of a different sort.
Study Questions:
- Focus on the form of the poem , looking at the structure, punctuation, line lengths and the arrangement of the poem’s stanzas. How do these features add interest and meaning to the poem? Also examine the arrangements of the words, phrases and sentences in the poem.
- Examine the language used in the poem, looking at the meaning of words and whether they have negative or positive connotations.
- Look at the techniques, imagery and sound devices, alliteration, that has been used? How do these techniques bring out the main themes and ideas in the poem?
- How does the poet make use of rhyme (end and internal), repetition and rhythm? Why does she do this?
- What are the poet’s main ideas that she brings out in the poem and how does he do this? Explain the feelings that the poet conveys throughout the poem. Describe the poet’s attitude to his subject. Does this change as the poem progresses? Carefully examine the tone throughout the poem and find vocabulary to back up your discussion.
- How do you react to this poem? Does it bring any particular thoughts to mind? Which poems would you compare this one with?